On 19th April 2014 the needle was dropped into the groove of internationally celebrated Record Store Day for another dose of limited edition vinyl and musical merriment!
Again I was asked by the impassioned overlord of Secret 7 Mr. Kevin King to contribute a one-off record sleeve to be sold on the big day.
The charity this year was War Child and an almighty £41,500 was raised for the cause. This was great news and it brought the total Secret 7 contribution to over £105,000.
I chose to illustrate 'Age of Reason' (track above) for Brummy metal newcomers Black Sabbath and went down a more graphic-vector route, hoping to offer something different for the lads!
I also screen-printed the cover, to give it that va-va voom. Below is the final design and then the process.
Thank you to Kevin King for having me along for the journey again and on the off-chance that Ozzy, Tony or Geezer saw the artwork, I hope you liked it. Oh and if you were the person who bought it, thanks to you too.
Remember that post where I designed a sleeve for Laura Marling's 'The Beast'?
Well, that alongside 699 other individually crafted record sleeves raised over £30,000 for the Art Against Knives charity! Here's a little video from the day.
As well as contributing a print for Laura Marling, I also designed a cover for another band involved with the project, Public Enemy. A band of whom I am very fond of, having seen them live in Nottingham when I was 18 years old.
Above is the front cover of the design, which was digitally printed for the exhibition.
Thanks again to Kevin for asking me to be a part of the show. It's always great to know that you can make a little difference to a big cause!
If you want to see all the other covers for the project, then visit the Secret 7 site, which I highly recommend that you do.
I was honoured to be asked to participate in this year's Secret 7 project, curated by Kevin King.
If you don't know, Secret 7 involves 700 artists/designers being given a blank sleeve each. The artist picks a song from a list of 7 bands/musicians, which they can illustrate in any way they see fit. Each 7" sleeve (including vinyl) is sold for £40, every penny of which goes to Art Against Knives.
I picked to illustrate 'The Beast' by Laura Marling using the print-making technique, linocut; a process which I felt suited Laura's traditional-folk style.
The opening exhibition took place in London at Mother, 10 Redchurch Street, London, E2 7DD on Thursday 11th April, ahead of Record Store Day (Saturday 13th April).
Here's hoping that last year's £33,500 was topped!
Back in February I was approached by a man named Kevin King, who had a project called Secret 7, which was linked to the annual event of Record Store Day and Teenage Cancer Trust.
The project was to feature 700 unique 7" record sleeves, interpreted by 700 artist's with an aim to 'rekindle some of the excitement for vinyl sleeve art in the digital era'. These were then to be exhibited at the Idea Generation Gallery in London and sold with 100% of the profits given to the TCT charity.
From the list of tracks available I picked 'Black Flies' by Ben Howard, whose debut album 'Every Kingdom' gets played quite a bit in my office.
Since the purpose of this project was create a one-off artwork, I decided to take a different approach to the design process. I selected various elements from previous designs I had created, not knowing if they would work together as a single composition. I did of course, resize them all to fit on a 7" sleeve, so I wasn't going in totally blind.
I decided to create an environment for the design, using screen-printing and here are the transparencies for the print.
A layer of light sensitive emulsion is applied to the screen and then the images are transferred to the screen using UV light. Here are all four layers of the print on one screen.
Here is the first colour, having been pulled through the screen.
The print on the sleeve - as you can see I've used masking tape to create a white frame around the print.
A close-up, showing that the sky is made up of halftone dots.
Printing the second colour.
A pink sun...
The third colour down, orange bricks.
Using the same orange, I printed the titles on the reverse of the sleeve.
Now here comes the tricky part. I wanted to create a 3D layered artwork, so I cut out a window frame shape from a piece of mount board. I then used my trusty Pentel pocket brush to illustrate a wood effect for the frame.
I then painted the window frame using a selection of acrylics, and never applying the paint too thick, so as to allow the illustrated wood effect to show through. I also printed a few flies onto acetate, which were affixed to the frame.
Here is a picture of the screen-printed sleeve, awaiting the frame to be put in place.
Here is the final cover, with the frame attached to the sleeve using double-sided tape.
A close up of the finished sleeve.
All in all, this was a fun project to work on; going into production of a final piece and not really knowing how it would turn out was a pretty daunting experience but I'm really happy with the results.
It was also fun to combine my love of screen-printing with a different, crafty approach. Hopefully the owner of the sleeve is enjoying it as much as I did putting it together.
